Feed excerpt — reported by Variety
“You Can See Everything” might be the buzziest film of the moment, but before the Elizabeth Holmes-focused documentary made it to theaters, co-director Lance Oppenheim has admitted that fellow director Nathan Fielder was so skeptical about being able to weave a unique enough narrative that he negotiated a “kill switch” with A24 before they began […]
MAP records observable characteristics of the original article (publisher, author, date, references, framing cues). MAP does not verify the article’s claims or score it. Read the full original story at Variety →